... I am very thankfull to meet all these inspiring people and to work with Julyen during the workshop at Schwelle 7 "From perception to composition".

Still no time to reflect and report ....

What I learned was not dance, nor choereographie - at least that one could describe dance only in poems - even if you mean you could do so.

A Year in Berlin

It is a sweet air of misunderstanding
Snorting a breath of meaning
The theme of themelessness
The ontological circle
The invention of zero
In a world of numbers
The white long bone
As a factory of stimulants
An albemic of intelligence
Instant instructions structuring.

I morphs to we
Suis to sommes
Bin to sind
And in the watching
Remorphs to the I,ich,je
Either less or more
Lonely in the crowd
Forgotten but not gone.

Screams heralding the police
Only to reveal that
she, the screamer, was herself the police
arresting multiple orgasms.

The ship of symbols in the dockyard
sliding at the launch
The Place of Fools
The Village of Eyes
An Eye for Argos
The myth of now
The missing myth mouthed.

(Julyen Hamilton)

and - this I found today and will send to you as well ....



the kinesthetics of language

from
where do we speak
when do sounds become words
how do words occur
how do they occur to us
how might poetry happen
listening - surdity - and absurdity

verbs and bones
nouns and organs
adjectives and organs
adverbs and muscles

is there a difference between the words composed when sedentary
and those which come when moving
the play between the movement of words and the movement of
the body in space

thoughts from a moving body
thoughts from a stationary body
movements around a silent mouth
movements around a talking mouth
song and air


(Julyen Hamilton)